Download KSpectra For Mac 3.7
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Download Information: Version 8.1.2 IBM Spectrum Protect for Virtual Environments
APAR status
Closed as program error.
Error description
Local fix
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Problem summary
Problem conclusion
Temporary fix
Comments
APAR Information
APAR number
IT20623
Reported component name
TSM FOR VE DP V
Reported component ID
5725TVEVM
Reported release
81W
Status
CLOSED PER
PE
NoPE
HIPER
NoHIPER
Special Attention
NoSpecatt / Xsystem
Submitted date
2017-05-17
Closed date
2017-05-17
Last modified date
2017-05-17
APAR is sysrouted FROM one or more of the following:
APAR is sysrouted TO one or more of the following:
Download Spectra For Mac 3 7 X
Fix information
Fixed component name
TSM FOR VE DP V
Fixed component ID
5725TVEVM
Applicable component levels
R81W PSY
UP
R81L PSY
UP
Document Information
Modified date:
17 May 2017
Unlike conventional dynamics processing, it doesn’t use attack – decay envelope extraction. The envelope it already has from the analysis. As such the gain change that tracks the music is in sync and symmetrical about the content. By that I mean with a normal compressor you would typically have a fast attack time and slow release which means that the gain quickly drops at the start of a transient and slowly rises at the tail after the transient.
Download Spectra For Mac 3 7 10
Now you’ll probably think that makes no sense and will sound awful. However it doesn’t sound awful, and here is the reason why. In traditional compression we principally have fast attack and slow release because a compressor cannot predict the future so it doesn’t know when to pull down the level and if it does it slowly a very big transient will push through before it has a chance to bring it down. We have a slow release time because fast gain change will lead to a lot of distortion. Because Har-Bal knows the entire history of the track we don’t need fast attack because we know when to pull the level down. The net result is that the dynamics processing in Har-Bal works more like the volume riding technique of recording engineers of days gone past where they would adjust down the level while the music is being recorded because they knew when the loud parts were coming. This point is clearly illustrated in Figure 11, which shows the difference between envelope detection used traditionally and in Har-Bal.
FIGURE 11: A COMPARISON OF ENVELOPE DETECTION IN TRADITIONAL AND HAR-BAL DYNAMICS PROCESSING
By using a slow moving envelope for dynamics processing we ensure that the short term transient material remains largely unaltered and we simply change the relativity between loud and soft passages of a track. This also ensures that very little distortion is introduced by dynamics processing. These two factors are responsible for the clean sound of Har-Bal’s dynamics processing.
Download a tutorial (PDF) on using the Dynamic Node Tool here.